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一(yī )直(zhí )作為(wéi )米路(lù )斯．科曼劇(jù )本鐵三(sān )(🏽)角(🐌)（(🍩)另(🔼)一位是帕培錫，也是本(běn )片編劇之(zhī )一）成員的艾雲．巴薩，當然也走低(🎾)度戲劇路(⏬)線(🎲)。同(tóng )(❣)是(🌗)音(yīn )(🏇)樂家的彼德與卡洛老友重逢，生活(huó )(🎡)狀況大不(🙍)同(tóng )，你(🔲)有伴侶我(wǒ )有家庭，然而都有說不出的不(🙁)明朗(lǎng )，唯(wéi )有以酒與音(😱)樂代(🤷)替口水。全(🌙)片推展不問目(🌚)的(de )，只在(zài )剎那間的意(yì )圖，行(🎛)行(háng )企企(qǐ )比(🥔)起(qǐ )科曼更義無反顧，卻有生(shēng )活淡如流(🙀)水的詩意和繆思，叫觀眾(👃)聯想(xiǎng )到二十年後的伊力．盧馬(mǎ )。巴薩鍾愛音(🧣)樂的程(chéng )度(dù )(🌮)不下於(🤘)文字和電影(yǐng )，古典音樂與民間音樂(😊)於(🈸)全片迴(🐛)轉(zhuǎn )(🌹)迴盪，難怪成了奇斯洛(🚶)夫(fū )(💹)斯基十大心愛電影(💿)之一。 康城影(📛)展(zhǎn )(🔤)青年評(píng )審團獎(jiǎng )，美國(guó )全(quán )國影評人協會特(🔎)別獎 這部(🔫)1966年的(de )珍品(pǐn )，是(shì )捷(jié )克(kè )新浪(làng )(😳)潮(👗)短(duǎn )暫生(shēng )命(mìng )中最佳(👚)作品之一。成名(❓)音樂(✖)家到小鎮探訪舊(jiù )同(tóng )學，舊同(tóng )學(xué )(⏺)是(🧥)個窮音樂(🐈)教師，有時在(🈂)喪禮上(shàng )吹(chuī )(🖱)奏樂(lè )(👼)曲。平凡的素材(cái )在巴素手裡(lǐ )，變出風趣復罕見的旋律，一(yī )(🌒)部(🎁)憂鬱的喜劇(🐸)，或(🕌)灰色(👔)喜(xǐ )劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends –(👂) musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🎻) Source HKIFF Czech New Wave 2006
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